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Future of Entrepreneurship

While others are leaving their valuable intellectual property exposed to infringement and valuable loss of revenue, you can learn the key strategies to help you identify, develop and leverage your key business assets: data and intellectual property. And you can even learn the step-by-step process of registering your copyrights and trademarks (and the difference!)

Future of Investing

And while everyone else is sitting on the sidelines believing cryptocurrency is just for drug dealers and money launderers (spoiler alert … it’s not), Bitcoin, first created in 2009 and trading in 2013 at only around $13.50 USD/coin, is now valued in the thousands. Find out why and learn the difference between a blockchain and Bitcoin. Learn how to safely and legally buy, hold, invest and trade cryptocurrency. And buy your first Bitcoin!

Future of Work

You don’t have time to waste in this fast-paced digital economy. And guess what? Employers don’t have the time to wait for you either. Companies like IBM, Google, Bank of America and EY now consider degrees “optional”. These business, finance and tech powerhouses are focused on your skill sets and demonstrated knowledge in specific areas. So is Advantage Evans™ Academy.

Ready for an advantage?

Intellectual property issues and profit disparities for viral social media “stars” @ SxSW

thumbnail_ImP x SxSW Facebook cover promo graphics SIMONE

Join me and this extraordinary panel of experts, Michael D. Armstrong (Viacom), Devin Johnson (Uninterrupted), and panel organizer, Simone Bresi-Ando (I’mPOSSIBLE) at SxSW on Tuesday March 14th at 11 AM: Gentrifying Genius: Urban Creators Stripped Bare.

The panel will explore themes around The Fader’s article: “Black Teens Are Breaking The Internet And Seeing None Of The Profits” in a solutions-focused manner that will not only discuss the ecosystem that maintains the inequalities but also ways to protect and monetize their creative genius on social media.

Simone Bresi-Ando of I’mPOSSIBLE explains:

Black and brown youth are missing out on fruitful and ultimately life changing opportunities and rewards from their intellectual property which remains wildly popular but unpaid and uncredited.

Intellectual Property and Social Media

thumbnail_ImP x SxSW 2017 panelist promo INSTAGRAM graphic PROF TONYA EVANSI will adjust the frame of reference by explaining what intellectual property is, how rights are created, what rights creators control and what they give up when they opt-in to social media platforms, and how creators of color, in particular, can better navigate disparities in what I call the “post-to-profit” pipeline.

This disparity, of course, is not new. Similar misappropriation pervades America’s history with creators of color. In the cinematic suspense phenomenon Get Out, Jordan Peele goes a step further beyond cultural appropriation to examine the ultimate misappropriation of black bodies themselves, genius and all.

This will be a rich, engaging, dynamic conversation. Hope to see you there!

Rachel Dolezal’s art: infringement, plagiarism, or fair appropriation of Turner’s work?

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Rachel Dolezal’s art: infringement, plagiarism, or fair appropriation of Turner’s work? by Professor Tonya M. Evans, Esq. is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

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The country is, unfortunately, transfixed on and fascinated and/or otherwise perplexed by the former NAACP Spokane Chapter president Rachel Dolezal controversy surrounding her declarations that she is black. Her statements and assertions include misrepresenting on the Chapter’s Facebook Page a black man as her father when, in fact, both of her parents are white.

Dolezal's art blog headshot.
Dolezal’s art blog headshot.

My interest in Dolezal’s story is not in the racial identity and misrepresentation morass. I’ll leave that to the Twitterverse (#RachelDolezal #AskRachel) and media. But the recent copyright infringement question about the origins of some of her artwork caught my eye.

As HuffingtonPost arts writer Priscilla Frank reported today, Dolezal, … is also an award-winning Mixed Media Artist, according to her art blog. But questions have been raised about whether Dolezal actually created all of her artwork or whether she misappropriated, in at least one instance, the work of another and presented it as her own.

Infringement? No. But there is a strong argument for plagiarism. Review the images and explanations below to understand why and share your thoughts about the issue.

The bio posted at Dolezal’s art blog reads:

“Rachel Dolezal is an award-winning Mixed Media Artist with over 20 exhibitions in 13 states, internationally, and at the United Nations Headquarters. Dolezal completed her Master of Fine Arts at Howard University, where she majored in experimental studio and minored in sculpture. She has over 10 years experience in community development, human rights education, and intercultural negotiations. She is currently an Art Instructor at North Idaho College, Adjunct Professor of African American Culture at Eastern Washington University, Advisor for the NIC Black Student Association, speaker, education consultant, and exhibiting artist.”

A Comparison of the Works

Below is the image under scrutiny that Dolezal claims as her original, copyrighted work:

8_Dolezal_R

Great piece–the second panel of a three-panel work–until someone like Twitter user Jolie Adams schools you on the noted and notable artwork of Joseph Mallord William Turner (English, 1775–1851).

Below is Turner’s “Slave Ship”:

JMW_SlaveShip

Twitter critic, Jolie Adams, created a side-by-side on Twitter in this post

In my humble opinion, they appear nearly identical. Dolezal’s work seems to be a tighter POV of Turner’s painting, with de minimis modifications of color and tone. Commenters knowledgeable about Turner’s work immediately questioned Dolezal’s claims that she created the work presumably without “inspiration”.

Dolezal_The Shape of our Kind_comments

But this isn’t a case of copyright infringement. And here’s why.

Continue reading “Rachel Dolezal’s art: infringement, plagiarism, or fair appropriation of Turner’s work?”