In the article, I argue that copyright law is ill-suited when applied to music generally, and genres like hip hop in particular simply because of the way music is created. Outfits like TechDirt.com have been arguing the same thing for decades and is a leader in the “it’s just how music is made” camp to reform copyright laws to optimize benefits for all parties involved.
My article will appear in The Fordham Intellectual Property, Media & Entertainment Law Journal’s Spring 2011 issue. Fordham’s journal is the number one ranked entertainment, arts and sports law journal, and the number sixth ranked intellectual property law journal. IPLJ articles have been read into the Congressional Record, as well as cited in the Court of Appeals for the Second Circuit and in amicus briefs to the U.S. Supreme Court as well as cited recently by the high court itself in the Bilski decision.
Founded in 1997 by Floor64 founder Mike Masnick and then growing into a group blogging effort, the Techdirt blog uses a proven economic framework to analyze and offer insight into news stories about changes in government policy, technology and legal issues that affect companies ability to innovate and grow.